Touching Ground

looking south from north end

Now and again in flashes
I get this image:
My foot touching ground
for the first time,
the knowledge of contact
flowing back into me
up the curve of my calf,
my knee,
I feel its echo down my arm
as if my arm had never
up till now
been really here

And I sense
that this discovery
is what I have always needed
to move with power in the world,
to be whole.

©Wendy Mulhern
July 5, 2015

Liberated

greenlake dawn redwoods

Though you may carry your shame
in your posture,
though you may exude
the helpless unhappiness
that shows you feel
your body has not been your friend,
though you feel bullied
by its insistence on exposing
your ungainly softness,
making you a target for rejection

Though you have also hidden
behind your flesh,
made it a fortress
behind which you hope
to be invisible,
You can’t hide your glorious light

You are a marvel —
your sensitivity, your fine desires,
your tender hopes, your latent
tendrils of affection
are intricate and precious,
and if the world isn’t worthy
of your gifts,
it still needs them
and will be profoundly liberated
as you set yourself free.

©Wendy Mulhern
July 4, 2015

My Gift

Edward on ladder

In the clutter of the stories
I’m prone to tell myself,
there is danger of getting lost

This time I check myself
against the gravity
of how this offering
will feel to you

I check its underside
for hints of instruction
(which might imply
I thought you needed change)
I check to see if its assertions
are made from wish fulfillment
on my part

Nothing but my pure love
is worthy of you.
Nothing but my pure love
is worthy of me.

©Wendy Mulhern
July 2, 2015

Nodding Off

twin ponds reflection 3

A bland eraser
comes to wipe out
random moments
of my consciousness

It doesn’t leave a blank, though —
underneath awakeness,
images present themselves,
colorful and almost plausible,
shrinking quickly as my conscious thought returns

So some intentions go unfilled,
some straight lines
fade out before they designate
appropriate direction

But there is a circle,
a full, embracing circle
that goes all the way around
this sense of what I am,
and keeps me whole.

©Wendy Mulhern
July 1, 2015

Second Thoughts

birds in tree

Well, maybe I shouldn’t have
left the meeting early —
Maybe I succumbed
to divisive voices,
allowed myself the story
that my best work
would be what I did alone

When I could have known
the present need
was for my present attention
to everything in my own thought
that was ruffled
by the words of others

My need was to stand guard
against suggestions of polemic,
to find the higher embracing way
where everyone feels at home.

©Wendy Mulhern
June 30, 2015

Heat Bridge

heat bridge

In this heat I find
a slight ache
at the top of my breath
like what’s induced by smog
or chlorine, fixtures of my childhood summers
where laughter bounced in water echoes
around the family pool
and the splashing plunge
brought sweet relief
from heat we watched evaporate
the water we spread thin
along the dark pool edge
while we rested, getting ready
for the next dip

Now I allow myself
the full breath, up and into the ache
because of that feeling’s bridge
to early days.

©Wendy Mulhern
June 29, 2015

Motes of the Moment

Ridgecrest elm 2014

I must be tired from leaning forward,
he says. Too much living in the future,
in the plans, in the questions
of how to make everything
come out right

Yes, let’s take a break,
let’s lean into the day, ride for awhile
on the motes of the moment
and the three-caw council of crows
and letting it all go,
even the leaning.

Let the day come to me, he says.
At its own pace.

©Wendy Mulhern
June 28, 2015

A new way to move in the world

Boston graffiti wall

I’ve learned my lesson:
I will accept every gift,
whether it’s clothed in joy or sadness,
whether it’s bright or dark

I won’t hold out
for what I think I need,
I won’t require a certain protocol.
I will receive each gift
by diving in to where I find the blessing,
and how I, too, will bless in the receiving

I will let myself be changed
in every way that’s needed
to settle every gift into my heart.
After all, these are not things
that take up space, that need garages

These are soul offerings —
there’s room for all of them,
and they imbue my days with purpose
and with color, form, and depth.

©Wendy Mulhern
June 27, 2015

New Release — my first novel!

Today I hit the approve button and published my first novel.

musecoverpicI wrote the novel in 2009, at the strong urging of my daughter Heather to join her in that year’s National Novel Writing Month, NaNoWriMo, as it’s affectionately called. Participants sign up to write 50,000 words in the month of November, which divides into 1667 words per day.

At that time I had rediscovered that I am a writer, but not yet discovered that I am a poet. (There were many signs which could have been clear to me, but which I believe I missed because “Poet” was not on the shelf of my set of societally approved occupations.) I didn’t know if I could do fiction; I felt I lacked what I now call an engine — a powerful idea that demands expression in a novel. However, I had, earlier that year, written two poems which had given me quite a bit of satisfaction. I asked Heather if she thought there might be an idea within them that could become a novel. She thought there was, and gave me some suggestions about how.

So I wrote the book, Muse, based on the ideas in Muse and Muse II, the poems. After that, I put the novel through a few revisions, which I think helped it a lot.

The book fits into the category of New Adult, which sort of means it addresses themes most relevant to people starting out their “life as adults”, however they might define that. There is another genre called Young Adult, but that is mostly read by teenagers and even pre-teens, mostly girls, and has come to be dominated by certain themes, such as the paranormal, dystopian futures, and highly sex-filled (but not too graphic) edgy contemporary stories. New Adult emerges for the reader who has outgrown such fare but still wants a good book.

I’ve written two more novels since then, in the NaNoWriMos of 2010 and 2011. The latest one I may still revise and publish; the second one, I currently think, would take more of an overhaul than I feel willing to handle, my sensibilities being, as it turns out, more of a poet than a novelist.

Anyway, if you’d like to read it, you can buy it on CreateSpace or Amazon. Or you can contact me and I’ll lend you a copy. Here’s the blurb that’s on the back:

Melissa and Aaron, geeky, innocent, and introverted, independently invoke muses to help them navigate the puzzling world of career, identity, and relationships. When they meet in an acrylics class, Melissa notices that Aaron resembles the muse she conjured writing a poem—the muse that led her to take the class. Aaron, exploring his tortured internal landscape, keeps seeing Melissa there. As they strive to follow their own muses, they wonder, more and more, what that might mean with regard to each other.