Similes

How I feel these days might be like
the rising of smoke after a candle
twisting and bending over itself
strands dancing in counterpoint
moving outward, exploring.
Or it might be like
 the formation of a curl
 at the start of a a fern
 all the tightly wound fronds
 coalescing from nothing
an idea within the amorphous mass
shooting like a wind puff on a pond
sending its darts of delineation
down in spining spirals
 that will later unwind
and stretch out
as energy flows up its conduits
to kiss the light
 suffuse itself with native green
 embody life.


©Wendy Mulhern
May 3, 2011



For Love

You had a taste of Truth – it was enough
to waken an insatiable thirst
that made you climb a tree, and beg for more
and walk in circles through the fields and say
“Why did I never know of you before?”
So after that, you made the resolution
to drink that light until it fills you too full
to be contained within confined constraints
 – swell like a seed until the skin splits
and peels away revealing it’s not you
and never was – that what you’ve always been
is something else, made of stars and milk-white
innocence, and open eyes, so you can
break out of all that holds you in this shape
slip out of that old ego like a slim snake
and walk in nameless luminescence.


©Wendy Mulhern
April 6, 2011




Bouncing back

On March 23rd, I noted in my journal that my poems always tended to be optimistic – that even if they started low, they would bounce up at the end like one of those weighted punch clowns.  I decided that that wasn’t a problem as long as optimism wasn’t one of my constraints – if they were doing that on their own without my forcing them in that direction.  Then, the very next day, I wrote a poem that didn’t bounce up at the end.  What was interesting to me was that I did – bounce up, I mean.  I felt absolutely exhilarated after posting that poem, and did, all day yesterday, as well.  My sense was that the joy came from the success of the poem at capturing a somewhat elusive feeling and thought pattern so exactly.
So I failed to write a poem yesterday.  I realized that perhaps I had to reset the bar, and not try to capture anything particularly profound (after all, I hadn’t tried to before, even when I felt I succeeded).  
Having done so, and turning honestly once again to what’s at hand, I came upon a topic that my husband and I have both been thinking about, in our different ways, of late.  The wondering why we do what we do, the shifting of thought towards a different sphere:
Moving On
In weary sameness once again you slide your tray
past each seductive offering in the display
of nothing that could satisfy the gap within
your plate still empty as you reach the end
So is this why we choose to die – we lack
the bright desire to keep us coming back?
We could go on, but wonder what’s the use
(the reasons, glorious before, now seem obtuse)
Or is there more than what is offered here
a way to focus thought between the things
to listen with a more celestial ear
for strains beyond what the commercials sing?
 – Seek substance in a different kind of sphere
and find the joy that strong connection brings.


©Wendy Mulhern
March 26, 2011


Doing the Math

This poem reflects a feeling that came upon me today several times, and though I managed to beat it back, it insisted on being what I tell about.
I had a bad time with math in high school, but I loved certain parts of it – the beautiful curves and the notion of them being generated from equations.  I would grasp the concepts but fall down in the execution of problems.  The same story may play itself out in other aspects of my life.
Story Problem
Here is a place of feeling lonely
a point of discontinuity
a no man’s land between the asymptotes
X marks the degenerate set
no bounding parabolic curve for me,
 – ever upward, ever steeper –
no perfect circle, no elegant ellipse
no connection to the conic section
Here is a place of feeling lonely
a point of discontinuity
no connection to logic or reality
or the events of the day
Can I fall, thus
down along the asymptotes
ever approaching
never fully touched?


©Wendy Mulhern
March 24, 2011