Metaphysical healing

In this poem, my worlds intersect: the spiritual content of my other blog flows into this one, with some of the particular language from the practice of my faith.  I seem to be a slow learner in regard to relations with my son.  I can say that the results of my efforts, to the extent I have succeeded, have been overwhelmingly positive.  I just need to hold to the truth, re-establish it every day, overcome my temptation to do otherwise.  Not easy for me, but infinitely rewarding.
To Eric (who will never read this, at least not till he’s much older)
If I could learn how to eschew
the part in me that finds a fault in you
that feels alarm and strategizes how
to fix it – fix you – thinks you will allow
such intervention – thinks you will admit
you need to change, accept the sense of it
then I could shine a clearer light upon our day.
If I could master this most basic lesson
it would free me from the great transgression
that casts aspersions on the true creation
forgets to hold the primary relation
to see how the Creator’s work is sound.
That fact comes first, and goodness must abound
in all we are.  For that’s the only way
we’ll both be whole: that’s where my thought must stay.
April 3, 2011


Bouncing back

On March 23rd, I noted in my journal that my poems always tended to be optimistic – that even if they started low, they would bounce up at the end like one of those weighted punch clowns.  I decided that that wasn’t a problem as long as optimism wasn’t one of my constraints – if they were doing that on their own without my forcing them in that direction.  Then, the very next day, I wrote a poem that didn’t bounce up at the end.  What was interesting to me was that I did – bounce up, I mean.  I felt absolutely exhilarated after posting that poem, and did, all day yesterday, as well.  My sense was that the joy came from the success of the poem at capturing a somewhat elusive feeling and thought pattern so exactly.
So I failed to write a poem yesterday.  I realized that perhaps I had to reset the bar, and not try to capture anything particularly profound (after all, I hadn’t tried to before, even when I felt I succeeded).  
Having done so, and turning honestly once again to what’s at hand, I came upon a topic that my husband and I have both been thinking about, in our different ways, of late.  The wondering why we do what we do, the shifting of thought towards a different sphere:
Moving On
In weary sameness once again you slide your tray
past each seductive offering in the display
of nothing that could satisfy the gap within
your plate still empty as you reach the end
So is this why we choose to die – we lack
the bright desire to keep us coming back?
We could go on, but wonder what’s the use
(the reasons, glorious before, now seem obtuse)
Or is there more than what is offered here
a way to focus thought between the things
to listen with a more celestial ear
for strains beyond what the commercials sing?
 – Seek substance in a different kind of sphere
and find the joy that strong connection brings.


©Wendy Mulhern
March 26, 2011


Touch

I went to the Turtle Dance last night, and realized, towards the end of it, how I crave touch.  Not just the touch of one other, though that is nice, but the intertwined, complex touch of many people moving together.  
The Turtle Dance is a weekly ecstatic dance frequented by people who often express the conviction that they are part of an inexorable love revolution – yes, somewhat hippie – and sometimes, when I’m there, I can believe it.  Sometimes I go away feeling that no one there knows me or cares whether I’m there, though they seem to care about each other.  Other times I feel like I belong.  The difference is in whether I have been in a good, multi-person, intertwining dance.

A touch can be a chord, a hum, a tuning
A circuit closed, electric-lighting joy
The answer to my silent, nameless yearning
that carries me through darkness to the day
A touch can form a net of strong connection
A place to hold my fragile, new-formed soul
A current that delivers satisfaction
The DNA for growing strong and whole.
Though I may live without it, my deep hunger
will send me searching for it in its time
I’ll need to twine my tendrils with some others
and wind around to reach the light, and climb.
I’ll drink touch in for what it can provide;
My need for contact will not be denied.


©Wendy Mulhern
March 5, 2011


Cricket in a Grass Cage

I turned on the light and went into the cold room, closing the door behind me.  I opened the sliding closet door and, on my knees, began to take the shoes off the plastic box.  Why, I asked myself, do you keep your writings in a box that is so hard to get to, and whose lid is so hard to open – as I wrestled with the tightly snapped-on plastic.  
I was looking for a poem I wrote in high school.  I remembered most of it, and remembered writing it, how the phrase “cricket in a grass cage,” had just come to mind, and how the words had effortlessly unfolded from there, revealing their story.  I was thinking about how, though the sentiment wasn’t one I had striven to express, it seemed true enough at the time.  And how, though I hadn’t acknowledged it then, the poem was probably influenced by Dylan Thomas’ “Fern Hill,” a poem my mother loved and had shared with me.
The copy that I found was one I had prepared to submit for publication, and I had changed some words from the ones I remembered, and had left out a stanza to make it more taut (so I thought).  But the missing stanza was one that, for me, drove the rhythm and feeling of the poem, and left its strong mark on my memory, so I put it back.  
The poem has the sensibilities of a high school student, but I still like it.
Cricket in a Grass Cage
Before myself, we used to fly
And walk life’s mountain paths
Our step was sure and we were strong
And we could see forever
There was no limit
All we knew was hinder-free
High bouncing or whatever
In a never-time or instant
Life was sweet – we learned to sing its song
In timeless – free and easy – laughter
And in tender caring, tears
With joy and softly knowing, never fears
But slowly or with crashing 
Came myself, and I am here
And time was thrust upon a soul
And ticking limits hold my flight
They measure out the tune
All is chained except the spirit
And I am here
With no free movement very far
With no free will to go or stay
So little to express my being
With only me to say I am.
And so I sing my song
Like a cricket in a grass cage
With all the glory of the meadow
Confined in this precise bamboo.


©Wendy Mulhern
Spring, 1974


Prelude to a Dream

– A quick entry before I go to bed – most house lights off, the last chore done, the heat turned down . . . 
Prelude to a Dream
Here is the color of the depth of Mind:
Not quite black – a greyish, bluish cast
The place each soul has always hoped to find
Everything said from here stands; its word will last
Mountains are moved, all rivers speak it
Northern lights’ swift shimmer shines it past
This is the place where nothing stands beneath it
No cave so deep, no shifting sea so vast
Here in the backdrop of the depth of Mind
All secrets are spelled out, their golden stamp
is illustrated, block by block, line by line
Impressed with every sacred word’s recap
Or so it seemed, as earnest dream descended
Submerging me in sleep before it ended.


©Wendy Mulhern
February 21, 2011


Two sonnets for the goddess

I.
The goddess moved in me, I welcomed her
Let her cool fire lick outward toward my skin
Let my soft heat respond, suffuse the air
As joy rose swiftly upward from within
Why not? Though stern gatekeepers would prevent us
From spreading love so free, unearned, untallied
Would say such feeling, absent set conditions
Was better to be cast aside than valued
For there’s no harm if all is in her service
If every touch, however meant, will bless
Affirm divinity aroused within us
Light up our day with heightened consciousness
Each time the goddess offers to possess me
I’ll respond with a resounding yes.
II.
Much later, in the courtroom of my mind
Considering the thoughts that I had voiced
I noticed, pleased and curious to find
No stance of opposition to my choice.
In younger days I might have thought it wrong
To know the goddess, let her play a part
Along with God, in crafting my life’s song
Elucidate the function of my heart
But now my sense of what is true is clear
God can be All, and I still have the goddess
Just as I still have sunshine, mountains, stars
All good a part of Truth, resplendent Oneness
My goddess flight is granted quiet landing
So, step by step, unfolds my understanding.


©Wendy Mulhern
January 30, 2011