A bit of frivolity

It was an active day today, and at the end of it, I chose to watch a show with my family instead of writing a poem.  In the interests of togetherness, frivolity is sometimes appropriate.  So in the frivolous mode I set by my actions this evening, I will share my most recent verse about pulling ivy:
The Yard Waste Truck Comes Early Tomorrow Morning
I raked the ground so I could see
where roots and shoots protruded
so all the ivy finally
could truly be uprooted
It isn’t done, the roots remain
their network branches deep
They’ve had some years to make their claim
within the yard waste heap
Year upon year of heaped neglect
I strive to overcome
No more than what one would expect
in maintenance of a home
A basic fact I somehow never grasped
Till tangled up in all I had let lapse.


©Wendy Mulhern
March 27, 2011



Another dance sonnet

I wrote two poems today – well, maybe one of them would be called a verse.  The verse is about pulling ivy (again – yard waste is collected every other week).  The poem is another one about the dance that we often go to on Friday nights.  I wanted to try an Italian form sonnet; the rhyme scheme is more demanding than the Shakespearean style I have used most often.
The constraints of the sonnet are: line length and rhythm (iambic pentameter); number of lines (14); rhyme scheme (Italian: abbaabba for the eight, with the following six related to each other – I’ve seen cdfcdf or, as I did here, cdcdcd).  Plus there’s an intent for the first eight lines to present a scenario and the finishing six to comment and conclude.
I like to let the rhythm vary a bit from the iambic.  I don’t like to turn a sentence inside out for a rhyme.  I don’t say something that’s not true for the sake of a rhyme.  Those are my added constraints.
I find that writing within constraints is interesting.  It sometimes helps bring out the meaning more clearly than writing without them.
I’ll share the sonnet tonight:
Ode to the dance
Stepping softly in between the shafts of sound
the trancing hum of chords reverberating
weft and warp in fabric of relating
threads of touch remembered and rewound
In dancing eyes fresh lines of light are found
a joyful glee of friends appreciating
the playful moves, the games of their creating
the sudden bursts of energy unbound
As music, words, and movement thus are one
so are we one in the reverberation
that still remains when all the music’s done
and we have voiced our final incantation
The web of our connection lightly spun
reprised thus in a quiet exaltation.


©Wendy Mulhern
March 27, 2011



Bouncing back

On March 23rd, I noted in my journal that my poems always tended to be optimistic – that even if they started low, they would bounce up at the end like one of those weighted punch clowns.  I decided that that wasn’t a problem as long as optimism wasn’t one of my constraints – if they were doing that on their own without my forcing them in that direction.  Then, the very next day, I wrote a poem that didn’t bounce up at the end.  What was interesting to me was that I did – bounce up, I mean.  I felt absolutely exhilarated after posting that poem, and did, all day yesterday, as well.  My sense was that the joy came from the success of the poem at capturing a somewhat elusive feeling and thought pattern so exactly.
So I failed to write a poem yesterday.  I realized that perhaps I had to reset the bar, and not try to capture anything particularly profound (after all, I hadn’t tried to before, even when I felt I succeeded).  
Having done so, and turning honestly once again to what’s at hand, I came upon a topic that my husband and I have both been thinking about, in our different ways, of late.  The wondering why we do what we do, the shifting of thought towards a different sphere:
Moving On
In weary sameness once again you slide your tray
past each seductive offering in the display
of nothing that could satisfy the gap within
your plate still empty as you reach the end
So is this why we choose to die – we lack
the bright desire to keep us coming back?
We could go on, but wonder what’s the use
(the reasons, glorious before, now seem obtuse)
Or is there more than what is offered here
a way to focus thought between the things
to listen with a more celestial ear
for strains beyond what the commercials sing?
 – Seek substance in a different kind of sphere
and find the joy that strong connection brings.


©Wendy Mulhern
March 26, 2011


Doing the Math

This poem reflects a feeling that came upon me today several times, and though I managed to beat it back, it insisted on being what I tell about.
I had a bad time with math in high school, but I loved certain parts of it – the beautiful curves and the notion of them being generated from equations.  I would grasp the concepts but fall down in the execution of problems.  The same story may play itself out in other aspects of my life.
Story Problem
Here is a place of feeling lonely
a point of discontinuity
a no man’s land between the asymptotes
X marks the degenerate set
no bounding parabolic curve for me,
 – ever upward, ever steeper –
no perfect circle, no elegant ellipse
no connection to the conic section
Here is a place of feeling lonely
a point of discontinuity
no connection to logic or reality
or the events of the day
Can I fall, thus
down along the asymptotes
ever approaching
never fully touched?


©Wendy Mulhern
March 24, 2011



Bike Ride to Brackett’s Landing


 Sunny, 60 degrees

A wind that buffets me but isn’t cold
One inhale’s gift of blossom as I fly
The sun’s light touch that raises up my soul
The water’s glint as I go swiftly by
The pattern of the shadows on the concrete –
rails and steps on ramp up from the underpass
The echo of my song, sustained though incomplete,
hurled down the tunnel while I’m rolling fast
These, with the words that follow melody
Trying their rhythms on the mellow tune
that floats within me answering my tunnel cry
bring heightened pleasure to my afternoon
Ah, spring! How clear the vision you inspire!
How rich the scents! How sweet the homage you require.


©Wendy Mulhern
March 23, 2011



Love’s Plan

I’m not allowed to think myself alone
and struggling to find where I belong
Each effort to invent myself will fall
as sure as piles of sand against the sea.
So it is with things I haven’t done
and times I’ve been so proud, and been so wrong
There never was a chance for them at all
as long as I had hopes to rescue me.
A precious part of Love’s unique design
is how the loss of what I have called mine
will reset my assumptions, so I find
identity at one with the divine.
So, meekly cleansed, I then can lift my face
to Love’s bright pattern and my perfect place.


©Wendy Mulhern
March 22, 2011



Weather Report II

No, this isn’t about the first day of spring, except in the way it was colder and wetter than hoped for, and felt bleaker since I was expecting warmer.  It’s rather about the way a cold front, when it comes in, needs to move through before it clears.  The argument I wrote about yesterday was not, despite what the poem seemed to indicate, solved at once.  Today I felt bleak and bleary, and grouchy.  But I took a bike ride in the late afternoon, for fresh air and to find a poem.  I liked the poem I found – the rhythm appropriately pugnacious.  And the ride and the poem revived me.  
A riddle: why not settle into grouchiness
growl, baleful, at the fickle sky and shake your fist
succumb to world’s weight drag down into slouchiness
call it one of those days that – face it – won’t be missed?
Indeed, it seems the path of least resistance
Why summon up the needed grim persistence?
When has the sun come out through sheer insistence?
To find success would seem to need a sixth sense
But maybe if you wait a bit you’ll find one
Surprising uplift can come up behind one
and tickle evil feelings till they’re undone
and dissipate like fog banks in the bright sun
The answer: sure, be grouchy if you must
The light will still come reignite your trust.


©Wendy Mulhern
March 21, 2011



Seasoned love

My husband and I have been married for a long time.  On my bike ride yesterday, I was reflecting how solid I feel about our love.  Wishing I could give encouragement to young couples who might be in the throes of tension and passion, wishing I could somehow say to them don’t worry, lean into love – it’s stronger than all your dramas.
It also may go without saying that not every moment has been rosy.  I was thinking about that on the ride, too – and how I really think we’ve moved beyond the place of angry dramas.  So it was funny when, on our walk this afternoon, my husband turned around abruptly and started storming back.  “I don’t need this,”  he said.  “This is not what I came for.”  I walked on, the distance widening between us.
I wasn’t really upset.  I think it’s true that our love is a solid enough cushion to keep our sensibilities unscratched.  But I had been looking for a poem, and the one that started to come reflected my position.  It also reflected my sense of the power of love.
I didn’t think I’d share it.  It’s (sort of) dirty laundry, not showing either of us in our best light. (Him, because I say he grumbles, etc.  Me, because I say he grumbles, etc.) But I like the poem, and no other ones sprang to pen tip.  So here it is:
The argument continues in the poet’s thought:
Admit it: it takes more than wit and gumption
It takes great love and humbleness of heart
to navigate your minefields of assumptions
though I can take no credit for my art
The Love that guides me through them is much larger
than what romance or reason might require
The universal law that is in charge here
will save us both from your reactive fire
So now, though you’ve withdrawn into your grumbles
of what you don’t have time for, and your cold
rehearsal of your valid indignation
here is the place of peace that I can hold:
The Love that made us burns as love within us
and it will lift us, bless us, purge us, win us.


©Wendy Mulhern
March 20, 2011



For Heather, approaching the super moon

I remember you
moonfaced
miraculous
pulling my life’s tides
We went to see the super moon
to watch it swing over the ocean
to be women – four of us.  You at eight months
qualified
in the mystical incantation
decreed by Sus
who understood these things deeply
earth mother that she was.
I remember
the weight of you, in the blue backpack
but Sus must have carried you, too
for I remember seeing
your eyes wide, reaching your small hand
to touch the old growth trees
on the way to the beach
We moved as one in those days
You called me “me” and you “you.”
I can still feel in my hand
how it felt to your hand
the spongy/prickly, gray-green, furry/lacy
intricate web of moss and bark
your eyes registering ancient connection.
“Super moon tomorrow,” the news said.
“The last one was eighteen years ago.”
I remember.


©Wendy Mulhern
March 18, 2011


Fractured Discourse

Yesterday I followed, on the site of the Academy of American Poets, a discourse between a white male poet and a black female poet about race, and a series of letters that she then invited to open up the dialog.  One point made was that the community of poets was itself a small, white group, dripping with privilege, though thinking their modest salaries made them immune to such designation.  I started thinking the issue was maybe not so much what people choose to say about race as who is saying it, whose voice gets the chance to be heard.  And that this particular society of poets was perhaps a small group, and there were others, but their circles might never intersect.
Also yesterday, incensed by things I was hearing from the far right, I started to pen an apology to President Obama:
“I fear we are a nation of buffoons
I witnessed it on Youtube yesterday . . .”
(that’s as far as I got)
These two threads of thought wove together to form the following:
Trying to Make Ourselves Heard
We speak in fractured space
Our stories are refracted
confined within our shards
that cut off interaction
Our words reflect back inward
from the walls of our partitions
and no one on the outside
can hear us anymore
What does it matter to them what we have to say?
All the king’s horses and all the king’s men
. . . . . babel . . . .
And so they left off to build the city.


©Wendy Mulhern
March 17, 2011